SERENE SCHOOL STUDIOWEN-YAO HSU / SHEN-YAO 888π

PUBLIC CASE ARCHIVE / SUMMARY-ONLY RELEASE

I dismantle civilization’s falsehoods, case by case.

I release seven artwork-led dossiers here to show how I cut into civilization’s breaks in responsibility. They are not the book’s fixed order or completed chapter count. My current source document maps eight parts and 34 provisional cases; every formal chapter combines my complete text with RPC-00–15.

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  1. Case artwork for sacrifice and civilization’s first bug01
    CASE 001PRINCIPAL CASE

    Sacrifice: Civilization’s First Bug

    PUBLIC SHORT VERDICT
    Death did not prove the soul; what remains unknown must remain UNKNOWN.
    PUBLIC DOSSIER SUMMARY

    I return the first case to the moment before sacrifice became an institution. Faced with death and uncertainty, people turned fear into an exchangeable order. I do not deny emotion; I refuse to let an unverifiable guess acquire authority to sacrifice another.

    WEBSITE SELECTION / PUBLIC SUMMARY
  2. Case artwork for language, naming and unverifiable structures02
    CASE 002PRINCIPAL CASE

    The Language Virus: How the Unverifiable Acquired a Name

    PUBLIC SHORT VERDICT
    When a name begins doing the work of causality, language becomes unverified authorization.
    PUBLIC DOSSIER SUMMARY

    In the second case, I trace how a communicative label becomes a tool that certifies a causality never shown. Repetition can make a label resemble evidence; I separate the name, the object and the verifiable relation again.

    WEBSITE SELECTION / PUBLIC SUMMARY
  3. Case artwork for myth, narrative and evidentiary boundaries03
    CASE 003PRINCIPAL CASE

    Myth: When Description Began to Replace Evidence

    PUBLIC SHORT VERDICT
    A real order cannot be completed by naming alone; internal function and external consequence must both close.
    PUBLIC DOSSIER SUMMARY

    I do not treat myth as merely story. I examine when narrative acquires superior authority over reality. When description no longer permits refutation and its actors bear no consequence, story crosses the evidence boundary and becomes civilization’s default answer.

    WEBSITE SELECTION / PUBLIC SUMMARY
  4. Case artwork for divinity, authorization and real-world order04
    CASE 004PRINCIPAL CASE

    God: How an Unverifiable Structure Acquired Supreme Authority

    PUBLIC SHORT VERDICT
    The more authority claimed over real order, the more real responsibility must be surrendered to audit.
    PUBLIC DOSSIER SUMMARY

    I return supreme authority to responsibility audit. If a structure can demand obedience, punishment or sacrifice, unverifiability cannot shield it. Every step by which power enters reality must identify authorization, stopping power, repair and the subject who bears the result.

    WEBSITE SELECTION / PUBLIC SUMMARY
  5. Interlude artwork for markets, choice and everyday responsibility05
    INTERLUDE 4.2INTERLUDE

    The Market Responsibility Chain: After Judging Civilization, I Can Still Walk Among People

    PUBLIC SHORT VERDICT
    I still choose, pay, take it home and bear the result. That is an everyday responsibility chain.
    PUBLIC DOSSIER SUMMARY

    I step away from the bench and return responsibility to an ordinary market choice. I keep the warmth of browsing, liking and exchange while tracing where advertising, price, desire, decision and consequence actually land.

    WEBSITE SELECTION / PUBLIC SUMMARY
  6. Case artwork for institutions, power and subject responsibility06
    CASE 005PRINCIPAL CASE

    Power: When an Institution Began Pretending to Be a Subject

    PUBLIC SHORT VERDICT
    An institution is not a subject; a model only makes a shell without a responsible subject run faster.
    PUBLIC DOSSIER SUMMARY

    I examine how ‘the institution required it’ erases the decision-maker. Rules, procedures and models can carry computation, but not signature or consequence. If failure cannot return to a person able to stop, repair and answer for it, closure never occurred.

    WEBSITE SELECTION / PUBLIC SUMMARY
  7. Interlude artwork for idols, models and outsourced subjecthood07
    INTERLUDE 5.2INTERLUDE

    From Worshipping Wood to Worshipping Models: Who Authorized You to Outsource the Subject?

    PUBLIC SHORT VERDICT
    Wood never proved itself divine; a model never proved itself human.
    PUBLIC DOSSIER SUMMARY

    I place ancient idols and modern models on the same chain of outsourced subjecthood. My question is not whether the material is old or new, but who transfers judgment, signature and consequence to a carrier that cannot bear them, then calls the transfer legitimate through convenience or awe.

    WEBSITE SELECTION / PUBLIC SUMMARY